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After reading her way through her father's library as a
child in Once Margaret Fuller joined their ranks, the formerly loose-knit group of free-thinking Bostonians formed the Transcendentalist movement. Unlike the proponents of a doctrinal philosophy or religion, Transcendentalists advocated "a free life of the free spirit" and sought to achieve understanding and personal growth through their frequent "Conversations," in which Margaret Fuller, an energetic, insightful speaker, played a key role. She hosted several series of single-sex Conversations to offer the women of her circle an opportunity to discuss such topics as education, religion, women's rights, health, and art. Charging a fee for attendance, she was thus able to support her family while pursuing the exchange of ideas and the friendships that she considered her truest vocation. In 1840 she published, with Emerson and others, the first
issue of the Transcendentalist magazine the Dial, and she contributed artistic and social criticism
regularly to both her own paper and to Horace Greeley's New-York Daily Tribune. She also
produced a travel diary and a feminist tract, Woman in the Nineteenth Century, before traveling to In 1846, Edgar Allan Poe described her in his “The Literati of New York City. No. IV,” in Godey’s Lady’s Book, v. 33, p. 74-75: She
is of the medium height; nothing remarkable about the figure; a profusion of
lustrous light hair; eyes a bluish gray, full of fire; capacious forehead;
the mouth when in repose indicates profound sensibility, capacity for
affection, for love— when moved by a slight smile, it becomes even
beautiful in the intensity of this expression; but the upper lip, as if
impelled by the action of involuntary muscles, habitually uplifts itself,
conveying the impression of a sneer. Other
portraits appear in:
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